URME Surveillance is an subversive intervention that protects the public from facial recognition surveillance systems in a variety of ways. The principle method is by inviting the public to wear a photo-realistic, 3D-printed prosthetic of my face. When a user dons the prosthetic, camera systems equipped with facial recognition software identify that user as myself, thus attributing all of their actions to the identity known as “Leo Selvaggio.” In this way, wearers of the prosthetic safeguard their own identities by performing my persona in surveilled areas.
URME Surveillance currently consists of three primary devices. The first is the URME Surveillance Identity Prosthetic, which is a 3D printed, photo-realistic mask of my face. The second is the URME Paper Mask, a economical alternative that lends itself to groups such as activists and protesters, and lastly the URME Facial Video Encryptor, a custom built software that encrypts files by digitally replacing up to five faces in the video with my own. These devices are made available to the public at www.URMESurveillance.com. Click on the names below to navigate to each device on the URME Surveillance website.
Above is a GIF demonstrating the URME Facial Video Encryptor.
Below is a GIF of a variation of URME FVE working live in the gallery.
SUPPORT AND MODES OF PRESENTATION
URME Surveillance received generous support, including:
The Albert P. Weisman Award during the project's inception.
ThatsMyFace.com which manufactures the URME Prosthetic at a deep discount for my audience.
lastly by the public-at-large through an Indiegogo Campaign which raised 256% of the project's funding goal.
Through this generous support, I have been able to promote and expand the URME Surveillance project significantly through three primary modes of presentation: exhibition, public engagement, and publication.
Exhibition: URme Surveillance in the Gallery
URME Surveillance, as it exists in the gallery, is an interactive and sculptural installation that asserts my identity is a defense technology against surveillance. URME Surveillance challenges viewers to consider the malleability of their identities by misrepresenting and corrupting my own. Working in Chicago, the most surveilled city in the nation with a network of 25,000 cameras routed to the most advanced facial recognition program available, I have an overwhelming urge to protect the public from this surveillance state.
Columbia College Exhibition 2014
"THANKS FOR YOUR FACE" SURVEILLANCE WALL
This wall consisted of 80 dummy cameras that move when motion is detected. Their toy-like aesthetic suggests that the camera is a nostalgic symbol for surveillance, while the tablet only a few feet away represents modern surveillance technologies. Installation is modular.
Installation of URME Surveillance Identity Prosthetic
Above: URME Selfies taken by particpants using the provided tablet.
This installation of the URME Surveillance Prosthetic includes a mirror, pictographic instructions and a surveillance device in the form of a tablet. Viewers are encouraged reexamine notions of identity and its stability under the threat of surveillance
Installation of URME Mirror
As part of an ongoing translation of the central ideas in my work into software, URME Mirror is an ongoing and itterative interactive work in which I replace the public's face with my own digitally. This video documents URME Mirror an installation at my thesis exhibition. To experience a limited version of the work, download the software app here (Mac OS only, will only read 1 face)
Documentation of Reception
select additional installations
Mirror Mirror Exhibition, Rutgers University 2018 “URMEDEMIREVERSOPTICON”
This installation, titled, URMEDEMIREVERSOPTICON was created for this year long exhibition, that marries URME Surveillance with a related body of creative research titled “If I can’t see them”. URMEDEMIREVERSOPTICON is arranged into a funnel, creating a reflected inner space that multiples the viewer standing within it's center, with the option to put on the URME Surveillance Prosthetic. While these mirrors act as agents of surveillance, the sandbags that support the mirrors and prevent them from falling over are embossed with word pairings and phrases that explore the enmeshed complexity of surveillance culture. This work is currently on view at Paul Robeson Galleries at Rutgers University through January 2019
Em(body) Exhibtion, Chicago 2016
I was invited by Chicago artist and curator Eden Unluata to create site specific work in the historic Uptown Arts Center. I chose to engage a corner that seemed unresolved to me which allowed me to use new materials for this installation, specifically quarter-dome security mirrors.
SAINT-ETIENNE DESIGN BIENNIALE, FRANCE 2015
URME Surveillance was invited to be exhibit as part of the Saint-Etienne Design Biennial in the A-T-T-E-N-T-I-O-N exhibition. In addition to the Surveillance Identity Prosthetic, they requested the illustrations drawn for URME Surveillance by Haley Weigman.
Chicago Artist Month 2015
I was selected as a featured artist for Chicago Artist Month as part of the People's Pamphlets exhibition at Spudnik Press. To find out more click here
Rendering Realities Exhibition @ Big Brother Awards 2016
I was invited by curator Margarita Osipian to show work as part of the Big Brother Awards in Amsterdam. The work included several installations including one in the foyer of the theatre, two additional installations in the theatre's restrooms. In addition on the night of the awards, four performers roamed the premises wearing the URME Surveillance Prosthetic. Versions of my URME Paper Mask were designed into the exhibition programs.
Wende Museum: Facial Recognition 2016
I was invited to exhibit a new composition of surveillance mirrors in addition to the URME prosthetic. I also designed an augmented reality component for the Wende, and served as a consultant for a portion of the curatorial research around the exhibition
Weisman Award Exhibtion, Chicago 2014
URME Surveillance was graciously funded by the Albert P. Weisman Grant, which resulted in the following exhibition. URME Surveillance was also selected for the Weisman Purchase Prize, and was subsequently installed at Columbia College Chicago
Technologic @ Chicago Art Department 2014
URME Surveillance & Public Engagement
Public Engagement is critical to URME Surveillance mission as well as its sustainability as an ongoing project. Through lectures, workshops, and other methods, URME will continue to work with the public to examine structures of power, prejudice, and privilege within surveillance practice . Below is a selection of how I have engaged publics in the past. In addition, I have created an active community on Facebook with an audience of approximately 500.
Art Souterrain Art Festival 2015
Art Souterrain is an annual festival that floods Montreal's underground tunnels and buildings with over 60 public art works. URME Surveillance was invited to exhibit its Facial Video Encryption software. In addition over 200 URME Paper Masks were distributed on opening night. I spent 3 hours talking with the public about my project and how it fit this years theme of security it public spaces.
URME Public Workshop 2014
We began with an active discussion about surveillance and its connection to identity, prejudice, and power. Participants wereinvited to make paper masks of themselves or of the artist's face to be worn in a walk to Crown Fountain. All activities were challenge-by-choice. This is the first time that the public was invited to use their own faces for this project. You can view a short video below.
ISEA 2015 Vancouver, CA
I was awarded a DCASE IAP Grant to travel to present an academic paper and exhibit at the Vancouver Art Gallery as part of Disruption for the ISEA conference. The exhibition included three student performers from Simon Fraser University wearing my prosthetic that roamed the event and interacted with visitors. I also talked to and distributed over 300 URME Paper Maks to visitors.
URME Surveillance & publication
Through my work with URME Surveillance, I have also reached audiences, both public and academic, through interviews, articles, television, and scholarly publication. In part due to the success of the Indiegogo campaign, URME Surveillance went viral, with over 150 blog posts and several articles published in the first two months of the project alone. Below are some of the ways this work has been portrayed in the media as well as samples of my academic research.
Hyperallergic article by Ben Valentine
Makeshift Magazine Interview by Maria Gallucci
CNET article by Leslie Katz
3Dp's article by Shanie Phillips
Washington Post article by Gail Sullivan
The Creator's Project article by Zach Sokol
The Verge article by Jacob Kastrenakes
Fast Company article by Suzanne LaBarre
The State of Surveillance Today by Bill Brown of the Surveillance Camera Players
The Kernel article by Joseph Cox
Select PRESENTATIONS AND PUBLICATION
2017 “Am I Seen: The Reciprocal Nature of Identity and Technology”, Contributed Chapter in Evolution of the Image, Routledge
2017 Better World By Design Conference, Student Organized, Brown University
2016 Surveillance, McLuhan, and the Social Prosthesis: Examining the Construction and Presentation of Identity, Behind the Smart World Publication
2015 CAA Panel Surveillance as Art Material chaired by Jessamyn Lovell and Trish Stone
2015 URME Surveillance: Performing Privilege in the Face of Automation , International Journal of Performance and Digital Media.
2015 a version of the paper above was presented and published at the ISEA 2015 conference
2014 Personal Experience of Surveillance; presentation and panel at NEW inc, New Museum, NY, NY
CSI Cyber: Season 1, Episode 8, "Selfie 2.0"
I was approached by the creator of the CSI franchise, Anthony Zuiker, to option my work for an episode of his new program, CSI Cyber which stars Patricia Arquette and James Vander-Beek.
In the news
RT News International
NBC 5 Chicago
Right This Minute
In 2012, I became fascinated with post-human discourse as it applies to identity as well as being inspired by the open-source movement. Open source, a method of providing and promoting free redistribution, use, and public access to technology, has been traditionally applied to technological applications such as software and hardware.
My work, www.youareme.net , explores what happens when the methodology of open sourcing is applied to identity. In effect, I have relinquished control over the creation of my persona online, and have provided to the public my identity and image as material to be manipulated, created, and even destroyed. In our highly surveiled and sensitive society, I am interested in what a public might do with open access to my information. I am not only concerned with the dynamics of supposed public and private information, but also with the carefully curated creation of an online identity. How do social technologies like Facebook shape the way we present ourselves, and how do we go about editing the realities of our lives for online consumption? And if we create or recreate ourselves through our technologies, who exactly could I be, if that process is one open to public discourse. Could this expand the possibilities of who I am, or ruin my cyber-social relations and credibility?
URME Mirror. Is an extention of my work, YOUAREME.net, which seeks to multiply and extend my virtual identity. URME Mirror takes this concept and embues it with a physicality through an interactive installation.
URME Two Way Mirror
A prototype of my URME 2 Way Mirror, an interactive installation that virtually exchanges my identity with the viewers by digitally replacing my face with with theirs and vice versa. This is accomplished using Max MSP. For further conceptual consideration of this work, which is a continuation of the original work URME MIRROR
Drink Me Fountain
As the inaugural artist for the Fountains Foundation at 916, YouAreMe.Net has created a site specific work, "Drink ME Fountain". This work consists of four beauty mirrors each with a transparent overlay image of me drinking from the fountain. This work considers the juxtaposition and interaction of my own image with your reflection. Each time your face and mine meet, a sort of hybrid is created. How does the shape, color, and qualities of my face change when yours sits on top of it and vise versa. What does this kind of hybridization say about the stability of identity and the icon? Go ahead, slurp it up, and see what its like to be me taking a swig of some good old H2O. Visit the project here